Santos commandeered the operations table by noon and turned it into a war room.
The thirteen-node map stayed pinned to the wall. Cross's butcher-paper diagram stayed beside it. But Santos layered the table with something differentâlogistics. Street maps. Transit routes. Building schematics pulled from the city's public records, which Marcus had obtained through methods Santos chose not to ask about. Seven manila folders, one per target node, each containing the approach route, access requirements, nearest fallback position, and estimated travel time from the Night Library.
Jack sat across from her, watching her work. The shimmer danced at the edges of his sightâthree spirits in the corridors, one in the archive room itself, an old man who'd been shelving invisible books since before the Night Library became the Night Library. Jack filed them under *background noise* and concentrated on Santos's folders.
"Node Thirteen. The floating anchor." Santos opened the first folder. "Thirty-seven feet above a parking lot on Orchard Street. No physical structure. The node exists in mid-airâa point where the barrier's resonance produces a localized density peak. Voronova's people access it from the fire escape of the adjacent building. To disrupt it, someone has to be within six feet of the interference point. That means someone has to be on that fire escape, four stories up, during whatever the hell happens when a keystone goes down."
"I'll take it," Jack said.
Santos looked at him. The captain's assessmentânot emotional, not personal, purely operational.
"You're the only person who can perceive whether the disruption is actually working," Jack said. "You need me at the hardest node. The one where getting it wrong means the whole sequence collapses."
"You're the person whose body is halfway between frequencies and whose last node visit ended with Marcus punching you unconscious. I need you functional, not ambitious."
"Thirteen is the first disruption. The smallest gap. The one Cross said creates the least harmonic disturbance. If I can't handle the smallest oneâ"
"Then we find out at Node Thirteen instead of at Node Two, where the gap is five times larger and the entire sequence depends on it completing." Santos closed the folder. Opened the next one. "Node Eight. Prospect Park cottage. Ground level. Standard structure. One approach through the park, one through the maintenance road. This one's straightforward."
"Rebecca," Jack said. "She can read the timeline shift in real time. If the disruption's working, she'll know before anyone else."
Santos wrote it down. Not arguing, not agreeingârecording. Building the roster the way she'd built every operational plan in her career: gather options, evaluate constraints, assign assets.
They worked through the seven nodes. Each one presented its own problem. The bridge pier required water accessâeither a boat or a climb down the support structure, both dangerous, both time-sensitive. The water treatment facility was fenced, gated, monitored by security cameras that nobody had thought to worry about when the enemy was extradimensional. The Belasco Theater was boarded up but structurally unsound, the kind of building where the floor might give way under you. Columbia's sub-basement was accessible through the university's tunnel system, but the tunnel system was labyrinthine and the node's exact position within it required Cross's calculations to locate.
"Seven nodes. Seven teams. Minimum one person per team, ideally two." Santos tallied the numbers on a legal pad. "Nine people total. Brennan stays hereânon-negotiable, the wards need him. That leaves eight for seven locations. Every team is solo except one."
"Sophiaâ"
"Is not going." Santos's voice carried the particular weight of a decision already made. "She's not trained for field operations. She's a ward maintainer. And the Hunger knows her name. Putting her at a nodeâany nodeâis putting a woman the entity has already targeted directly into a location where the barrier's integrity is about to be deliberately compromised. I'm not doing that."
"That leaves her here with Brennan."
"Brennan, Sophia, and the Choir. The Night Library team. Two people maintaining the wards and the counter-frequency environment while the cage finishes construction. While the disruption sequence runs. While everything we've built either holds together or falls apart." Santos looked at the legal pad. "Seven field operatives. You, me, Tanaka, Cross, Marcus, Rebecca, and Voronova."
Jack stopped. "You're going into the field."
"I'm not sending my people to do something I won't do myself."
"Maria. You're the commander. You need to coordinateâ"
"I'll coordinate from the field. Radios work. We'll synchronize watches. Marcus has done simultaneous multi-point operations beforeâtell me you haven't, Marcus."
Marcus shifted against the wall. The big man had been listening in silence, his presence a constant gravitational fact in the room's planning atmosphere. "Kosovo. Three teams, four locations, six-minute window. Radio coordination. It worked."
"How many people died?"
Marcus was quiet for two seconds. "None of ours."
Santos let that settle. *None of ours.* The military framingâthe division between acceptable and unacceptable losses, the calculus that said you could control what happened to your own people even when you couldn't control what happened to anyone else.
"Seven people. Seven nodes. Solo operations at every location." Santos drew the assignments on a fresh sheet. "Marcus gets the hardest physical accessâthe bridge pier. He's the only one who can handle the climb and the water and whatever happens when a node goes down. Jack gets Node Thirteenâthe first disruption, the one that needs his perception to verify. Voronova gets the water treatment facilityâshe's the most experienced with node proximity effects. Cross gets Columbiaâhe knows the tunnel system and the math better than anyone. Tanaka gets Prospect Parkâstraightforward access, ground level, and she's the most likely to stay calm if the disruption produces unexpected biological effects."
"That's five. Two left."
"Rebecca gets the Belasco Theater. I don't love itâthe structure's compromisedâbut she can see the timeline branching in real time. If something goes wrong, she'll know before it happens."
"And you."
"I take Node Eleven. The water treatment facilityâ" She stopped. "No. Voronova has that. I take Node Ten. Columbia sub-basement."
"You just gave Columbia to Cross."
Santos stared at her notes. The commander confronting the arithmeticâseven locations, seven people, every assignment a trade-off between capability and risk, and every trade-off producing a different failure mode.
"Cross takes Columbia alone. He doesn't need backupâhe needs the math and the access, and he has both. I take the Belasco Theater. Rebecca takes Prospect Park instead of Tanakaâ" She stopped again. Drew a line through her notes. Started over. "Goddamn it."
"The problem isn't the assignments," Jack said. "The problem is seven solos. Nobody has backup. Nobody has support. If anyone runs into trouble at their nodeâ"
"They handle it alone or they don't handle it."
The words sat in the air. The operational realityâseven people at seven locations, each one isolated, each one performing a precise disruption at a precise time with no margin for error and no one to help if something went wrong.
"The Vigil solves this," Jack said. "If Voronova's people participate, every node gets a two-person team. Vigil watcher plus one of ours. The watcher knows the location, our person knows the disruption protocol. That's redundancy. That's safety. That's the difference between a plan and a prayer."
Santos looked at the radio on the shelf. The shortwave unit. Voronova's link to the organization that was currently spending its forty-eight-hour evaluation period deciding whether to break seven centuries of precedent.
"If the Vigil says no?"
"Then we run it solo and hope."
"I don't run operations on hope."
"Then we'd better make sure the Vigil says yes."
---
The Choir was singing.
Jack found them in the Night Library's main hall at three in the afternoon, drawn by a sound that wasn't soundâa vibration in his adapted cells, a harmonic pull that tugged at the 7.55 hertz frequency his body had become. The Choir's construction frequency, the one they used to build the cage, operating at a pitch that sat between the barrier's resonance and something else. Something new.
Grace was conducting. The seven-year-old stood at the center of the hall, her translucent form flickering with the effort of maintaining the construction pattern while simultaneously guiding the other spirits. The Choir had grown since Jack last checkedâseventeen voices now, the original fourteen plus three new arrivals that Grace had shepherded in from the city's death sites. Dead who'd been lost. Dead who'd been wandering. Dead who'd been drawn to the counter-frequency environment of the Night Library and had found, in the Choir's collective purpose, something worth staying for.
Brennan sat in a pew near the wall, his lips moving in the continuous prayer that maintained the ward structure. The priest's face was drawn. Thinner than it had been two weeks ago. The sustained prayer effort was costing him physicallyâthe caloric expenditure of maintaining a supernatural environment through sheer faith, the body paying for what the spirit demanded.
Jack sat beside him.
"How's the cage?"
Brennan's prayer paused. The wards flickeredâa microsecond of instability that resolved when Brennan resumed his murmured Latin, layering the prayer's resumption over his spoken response.
"Growing. The Choir has increased its construction rate since Cross's briefing. I believe..." Brennan paused. The long silence before a critical statement. "I believe they heard him. Through the ward structure. The Choir perceived the strategic briefing and understood that their work now has a specific targetâseven harmonic gaps to fill, in a specific sequence, at a specific time. The cage's architecture has shifted. It was general beforeâa broad framework designed to support the barrier wherever needed. Now it is targeted. Specific. The Choir is building connective tissue designed to slot into exactly the positions that the disrupted keystones will vacate."
"They're building to spec."
"They are building to spec." Brennan's voice carried the wonder of a theologian watching the dead engineer their own salvation. "Grace is remarkable. She communicates the construction parameters to the other voices through the harmonic patternâa kind of spiritual frequency modulation that encodes structural information in the cage's resonance. I do not fully understand the mechanism. I am not certain anyone living could."
Grace turned toward them. The child's translucent face carrying an expression that wasn't quite a smileâmore like the focused satisfaction of a worker whose tools are finally adequate to the task.
"How long?" Jack asked. "Until it's ready?"
"The cage requires the full remaining time. Every day. Every hour. If the disruption occurs on the eighth day as planned, the cage will be complete enough to compensate for the first five disruptions. The final twoâthe largest gapsâwill require the cage to adapt in real time. To grow into the gaps as they open. This isâ" Brennan's prayer hitched. The wards trembled. He corrected, steadied, continued. "This is the risk. The cage must be flexible enough to respond to the two largest disruptions dynamically. Grace believes it can. I believe Grace."
Jack watched the Choir work. The seventeen spirits arranged in a pattern that wasn't geometric but harmonicâeach voice positioned not by location but by frequency, each one contributing a specific pitch to the collective construction. The cage was invisible to Jack's living eyes but present to his adapted perception as a shimmer within the shimmerâa structure of resonance being assembled inside the Night Library's counter-frequency environment, growing outward through the barrier's network like roots through soil, reaching toward the seven keystone positions where it would eventually need to hold.
Seven days. Seven positions. A cage built by the dead to replace the keystones disrupted by the living.
"Father."
"Yes."
"If this worksâif we pull off the disruption and the cage replaces the keystonesâwhat happens to the Choir?"
Brennan was quiet. The silence stretched past his usual contemplative pause into something longer. Heavier.
"The cage will become part of the barrier's permanent structure. The Choir's voicesâtheir resonance, their harmonic contributionâwill be woven into the barrier's fabric. They will not cease to exist. But they will no longer be individual voices. They will become... the barrier itself. Their consciousness, their memory, their identityâsubsumed into the collective resonance that maintains the separation between worlds."
"They'll be absorbed."
"They will be integrated. There is a distinction, though I grant it may seem academic to those being integrated."
"Does Grace know?"
"Grace proposed it."
Jack looked at the child-shaped spirit conducting seventeen dead voices in the construction of their own permanent dissolution. A seven-year-old ghost who'd been murdered, who'd been lost, who'd found purpose in shepherding other lost souls, and who had now volunteered to become part of the barrier's architectureâto trade individual existence for structural necessity. To become the wall between worlds instead of a person who once lived.
"She proposed it," Jack said.
"Six weeks ago. Before you arrived. Before the adaptation, before the nodes, before any of this. Grace approached me during evening prayer and communicatedâthrough the harmonic method, through vibration and resonance rather than wordsâthat the Choir's purpose was not temporary. That their construction was not a tool to be used and discarded but a permanent commitment. She understood, before any of us, what the cage would require."
Grace turned back to her work. The construction continued. The shimmer within the shimmer growing fractionally stronger, fractionally more complex, fractionally closer to the architecture that would need to hold the barrier together when seven of its keystones ceased to exist.
Jack sat with Brennan for ten minutes. Watching. Listening to the sound that wasn't sound. Feeling the Choir's frequency pull at his adapted cellsâthe resonance between his changing body and the dead who were choosing to become something other than themselves.
Then he stood and went to find Sophia.
---
She was in the maintenance corridor, replacing the salt lines.
The ward structure required physical maintenanceâthe candles, the salt, the specific arrangement of blessed objects that Brennan's prayers animated into supernatural effectiveness. Sophia handled the daily upkeep with the methodical efficiency of a woman who'd found in routine the antidote to fear.
Her hands were steady. Her face was not.
"Santos told me I'm staying," Sophia said. She didn't look up from the salt line she was pouringâwhite crystals following the corridor's baseboard in a precise, unbroken strip. "During the operation. I stay here."
"Yeah."
"Because the Hunger knows my name."
Jack leaned against the corridor wall. The shimmer showed him the maintenance corridor's spiritual topologyâthe ward lines glowing faintly, the salt conducting Brennan's prayer-energy along the building's perimeter, the layered protection that made the Night Library the only safe space in a city that was running out of time.
"Knowing your name gives it a handle," Jack said. "A way to reach for you specifically. At a nodeâwhere the barrier's already thinâthat handle becomes a doorway. Santos isn't punishing you. She's keeping you where the protections are strongest."
"I know why." Sophia finished the salt line. Set down the container. Stood and faced him, and her faceâthe steadiness she'd maintained through weeks of ward maintenance and ghost encounters and the slow revelation that the world was not what she'd believedâcracked. Not badly. Not dramatically. A fracture line across the composure, the kind of crack that showed what was underneath.
"It said my name. My full name. Sophia Marie Chen. Nobody uses my middle name. Nobody alive. My mother used it when I was in troubleâSophia Marie, you come here right now. My mother's been dead for eleven years." Her voice stayed even but her hands, freed from the work of pouring salt, had nowhere to go. She crossed her arms. Held herself. "How does something from beyond the barrier know my mother's name for me?"
Jack didn't have an answer. The honest responseâ*I don't know*âfelt insufficient. The dishonest responseâ*it probably doesn't mean what you think*âfelt worse.
"Cross might know," Jack said. "The Threshold describes the Hunger's perception capabilities. How it learns. What it can access."
"I asked Cross. He said the Hunger perceives through resonanceâthat it reads the barrier's vibrations the way a spider reads its web. When you touched the barrier during the Fulton Street feedback, it picked up my frequency. My specific cellular resonance. And in that resonanceâ" She stopped. Swallowed. "In that resonance, my name is encoded. The name I respond to most deeply. The name that's woven into my identity at a cellular level. Not Sophia. Not Chen. Sophia Marie. The name my mother used. The name that means me in a way no other name does."
"Cross told you all that?"
"Cross told me the science. The part he didn't sayâthe part I worked out myselfâis that the Hunger didn't just learn my name. It learned how to call me in my mother's voice."
The corridor was quiet. The ward lines hummed. Somewhere in the building, the Choir sang their construction frequency, building the cage that would replace the keystones, and Sophia stood in the maintenance corridor of a haunted building understanding that the entity trying to eat the barrier between worlds could imitate her dead mother.
"Has it tried?" Jack asked.
"Twice. At night. When the wards are thinnestâbetween Brennan's prayer cycles, the gap when he sleeps. I hear her. Just a whisper. Just my name. Sophia Marie. Come here."
"You didn't go."
"I'm not an idiot, Jack. I know it's not her." Sophia's arms tightened around herself. "But my body doesn't. My body hears my mother and every cell responds. That's what the Hunger is exploiting. Not my mindâmy biology. The cellular memory of being a child who came when her mother called."
Jack understood. The adaptationâhis own body reshaping itself to match a frequency, his cells rewriting their resonance independent of his conscious control. Biology making decisions that the mind hadn't authorized. The body responding to stimuli that the brain knew were dangerous but that the cells recognized as home.
"When the operation happens," Sophia said, "when the disruptions start and the barrier destabilizesâthe wards here will hold?"
"Brennan says they will."
"Brennan says a lot of things. I'm asking you."
Jack looked at the ward lines. The salt. The candles. The layered structure of protection that had kept this building safe for weeks while the world outside it deteriorated.
"The wards will hold," he said. "Brennan's prayers are the strongest thing in this building. Stronger than the nodes. Stronger than the cage. And the disruption sequence is designed to preserve the pillarsâincluding this one. The Night Library stays intact. The wards stay intact. You stay safe."
Sophia searched his face. Looking for the lie. Looking for the hedge, the qualification, the detective's careful phrasing that left room for the worst case.
"You believe that," she said.
"Yeah."
"Okay." She picked up the salt container. Turned back to the corridor. Resumed pouring the lineâwhite crystals against dark floor, the physical substrate of supernatural protection, maintained by a woman who'd just been told she was safe by a man whose body was turning into something neither of them fully understood.
She didn't look reassured. She looked resolved. There was a difference.
---
Evening. The operations table covered in Santos's folders and notes. The team gatheredâminus Sophia, minus Brennan, who maintained his prayer station and received briefings through Jack. Eight people in a room designed for study, planning a simultaneous seven-point assault on the barrier between worlds.
Santos had updated the assignments three times since the afternoon. Each iteration produced new problemsâphysical access, timing constraints, communication reliability, the question of what a "disruption" actually looked like at the operational level.
"Cross." Santos turned to the antiquarian. "When a keystone is disrupted, what does that mean mechanically? What does the field team actually do?"
Cross stood at his diagram. Still red-eyed. Still ink-stained. But organized now, the scholar's compulsion having reasserted itself over the discovery's chaos.
"The keystones resolve the barrier's harmonic interference by channeling the resonance through their physical location. To disrupt a keystone, you must introduce a counter-frequency at the interference pointâa vibration that cancels the keystone's resolving function. The keystone does not need to be destroyed. It needs to be temporarily overwhelmed. Detuned. Like placing a finger on a vibrating guitar stringâthe string still exists, but its vibration is dampened at the point of contact."
"How do you introduce a counter-frequency?"
"The Threshold describes a method using what it calls 'the shepherd's tone.'" Cross looked at Jack. "A frequency produced by a person whose cellular resonance is close enough to the barrier's to interact with its harmonic structure. The shepherdâa person in the process of adaptationâcan produce a localized disruption by matching their frequency to the keystone's and then shifting it. Slightly. Enough to create destructive interference at the keystone's position."
The room processed this.
"Jack," Santos said. "Cross is saying Jack has to be at every node."
"I am saying that the disruption method described in the Threshold requires a shepherd's resonance. There is one shepherd. There are seven nodes."
"So the sequence can't be simultaneous. It has to be sequential. Jack at each node, one after another."
"The Threshold's method assumes a single shepherd operating alone. But the principleâintroducing a counter-frequency at the interference pointâdoes not require the shepherd specifically. It requires a resonance source capable of matching and shifting the keystone's frequency."
"Where do we get six more resonance sources?"
Cross was quiet for three seconds. The scholar navigating between what the text said and what the physics demanded.
"The Choir," Rebecca said from her corner.
Everyone turned.
Rebecca's eyes were focused on a point just past Crossâthe timeline perspective, seeing the branching futures that the conversation was producing in real time.
"In the survival timelines, the disruptions happen simultaneously. All seven at once. But Jack is only at one node. The other sixâ" She squinted. Reading fine print in a future that hadn't been written yet. "The other six disruptions are driven by harmonic projections from the Choir. The cage isn't just a replacement for the keystones. The Choir uses it as a delivery mechanism. They project the disruption frequency through the cage's framework to each keystone position. The cage is the weapon and the replacement. First it disrupts, then it fills."
Cross's red-rimmed eyes widened. The scholar hearing something that his text hadn't described but that his understanding of the physics immediately confirmed.
"The cage as a frequency delivery system," Cross said. "The Choir projects the counter-frequency through the cage's harmonic connections to each keystone. The cage is already building toward those positionsâit was designed to fill them. If the Choir can transmit a disruption pulse through the same connectionsâ"
"Then the field teams don't need to produce the disruption," Santos said. "They need to be at the nodes to verify it's working and to handle anything that goes wrong when a keystone goes down."
"To handle the Hunger's response," Voronova said. She'd been standing at the edge of the group, listening. Her hitch-step had stilledâher body processing the strategic shift from impossible logistics to possible, if unprecedented, operations. "When a keystone is disrupted, the barrier's integrity at that point drops to zero for a brief period before the cage compensates. During that periodâseconds, perhapsâthe Hunger will have a gap. A channel. At each of the seven positions, for the seconds between disruption and cage compensation, the barrier will be open."
"Seven gaps. Seven openings. Seven moments when the Hunger can push through."
"Brief moments. Seconds. But the Hunger is fast. And it has been planning for thisânot our specific plan, but the general concept of barrier compromise. It will be ready."
Santos looked at her legal pad. The assignments had changed. The field teams' mission had shifted from *produce the disruption* to *hold the line during the gap.* Seven people at seven nodes, each one responsible for holding back whatever pushed through the barrier during the seconds between keystone failure and cage replacement.
"Marcus," Santos said. "You've held perimeters."
"Not against interdimensional threats."
"Principle's the same. Something tries to come through, you stop it."
"With what?"
The question hung. With what. The operational question that nobody had answered yetâwhat weapons, what tools, what countermeasures could a living person bring to bear against the Hunger's attempts to breach a gap in the dimensional barrier?
"The wards," Brennan said.
Jack turned. The priest's voice had come from the doorwayâBrennan standing at the threshold of the archive room, his continuous prayer suspended for the length of this statement, the wards flickering microscopically as his attention divided.
"Portable wards. I can consecrate objectsâcrucifixes, salt, specific prayers written on parchmentâthat carry a residual blessing. They are not as strong as the Night Library's ward structure. They are not self-sustaining. They will burn out in minutes. But for the seconds between disruption and cage compensationâfor a brief holding action against a gap in the barrierâthey may be sufficient."
"May be," Santos said.
"I am a priest, Captain. Not an engineer. I offer faith, not guarantees."
"How many portable wards can you make in seven days?"
"Seven. One per node. Perhaps eight, if I sacrifice sleep. Each one requires individual consecrationâa specific prayer, a specific blessing, a specific alignment with the barrier's local resonance at the target position. Cross will need to provide me with the harmonic specifications for each keystone so that the wards can be tuned to the appropriate frequency."
"Done," Cross said. "I'll have the specifications by morning."
Santos wrote on her legal pad. The plan was changing shape againâshifting from logistics nightmare to something that resembled, if not a workable operation, at least the skeleton of one. Seven field teams at seven nodes. The Choir driving the disruptions through the cage. Portable wards protecting each position during the gap. Seven simultaneous disruptions in a sequence that Cross's math said would fragment the barrier's connective tissue while the cage grew into the gaps.
"The disruptions still have to be sequenced," Cross said. "Even if the Choir delivers them through the cage, the harmonic settling time between disruptions remains. Ninety seconds between the first and second. Building to four to five minutes before the last. The Choir must pace the delivery."
"Grace can pace it," Jack said. "She built the construction schedule. She understands the harmonic timing better than any of us."
"You're telling me a seven-year-old ghost is going to quarterback the most important twelve minutes in seven centuries," Santos said.
"She's the best qualified person in this building. Living or dead."
Santos looked at him. The captain weighing the statement against her twenty-five years of command experience, her military-bred instinct for chains of command and qualified operators and the very human prejudice against trusting a child with the end of the world.
"Christ," she said. And wrote Grace's name on the coordination line.
The room settled into the particular quiet of professionals who'd found the edges of a planânot the plan itself, not yet, but the shape of it. The outline. The number of pieces and where they needed to go, even if the picture they formed was still unclear.
Seven nodes. Seven teams. Seven portable wards. The Choir as the disruption engine. The cage as the delivery system and the replacement. Grace as the conductor. Brennan as the ward maker. Sophia as the Library keeper. And a twenty-minute window, somewhere in the next eight days, when the pulse would rise and the Hunger would push and nine people would either restructure the barrier between worlds or watch it come apart.
"Seven days," Santos said. "Brennan builds wards. The Choir builds the cage. Cross refines the math. Voronova argues with her bosses. The rest of us memorize our nodes, plan our approaches, and figure out how to hold a gap in reality shut with a portable crucifix and a prayer."
She looked around the room. Eight faces. Eight people carrying the weight of an operation that seven centuries of institutional experience said couldn't be done.
"Get some sleep," Santos said. "Tomorrow we start rehearsals."
Nobody moved. Nobody slept well that night. But the plan existed nowâimperfect, incomplete, dependent on dead children and medieval mathematics and an organization of watchers deciding to act for the first time in seven hundred years. It existed. And that was more than they'd had yesterday.
Jack lay in his cot at midnight, staring at the ceiling, watching the ghosts of the Night Library drift through his peripheral vision like fish in dark water. 7.55 hertz. Seven days. The gap shrinking. His body becoming. The plan crystallizing around them like frost on a windowâbeautiful, fragile, and dependent on conditions that nobody could control.
From somewhere in the building, the Choir sang. Building. Growing. Preparing for the moment when seventeen dead voices would reach through the cage they'd constructed and pull seven keystones out of the barrier's resonance pattern, and either save the world or shatter it.
Grace's frequency pulsed once. A single beat in the construction rhythm. Jack felt it in his bonesâin his cells, in the resonance that was slowly, inevitably, making him something other than what he'd been.
He closed his eyes. The shimmer persisted behind his lidsâthe dead visible even in darkness, even in sleep, the boundary between seeing and not-seeing eroding the way the boundary between worlds was eroding, one frequency shift at a time.
Seven days. The plan was real. The fear was real. The small, stubborn chanceâRebecca's cord, thicker than everâwas real.
Everything else was noise.